Schauspielerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Poster für Human Stain (2003)
Rank #2438

Human Stain (2003)

Erscheinungsjahr: 2003

Land: France, Germany, United States

Alternative Title: The Human Stain, La piel del deseo, Скрити белези, Revelações, La tache, Der menschliche Makel, Rüvetatud au, La mancha humana, Ihmisen tahra, La couleur du mensonge, To anthropino stigma, Szégyenfolt, Ha-Ketem Ha-Enoshi, La macchia umana, Pietno, Culpa Humana, Запятнанная репутация, Cloveski madez, Insan lekesi

Regisseur: Robert Benton

Writer: Nicholas Meyer, Philip Roth

Production Genre

Produzent: Producer: Gary Lucchesi, Scott Steindorff, Tom Rosenberg
Executive Producer: Andre Lamal, Bob Weinstein, Eberhard Kayser, Harvey Weinstein, Michael Ohoven, Rick Schwartz, Ron Bozman, Steve Hutensky

Firmen: Cinepsilon, Cinerenta, Lakeshore Entertainment, Miramax, Stone Village Pictures

Genre: Drama, Film Based On A Novel, Romance, Romance Film, Thriller

Budget: 30.000.000

Auszeichnungen & Ähnliche

Auszeichnungen: N/A

Ähnliche:

  • Soul Plane (2004)
  • Juice (1992)
  • Shadows (1960)
  • How She Move (2008)
  • Crossover (2006)

Schlüsselwörter

Geschichte

Coleman Silk (Anthony Hopkins), a respected literature professor at Athena College, unwittingly makes a racial slur during a lecture, which leads to his dismissal despite his claims that he was referring to a visible stain on a student's dress. To clear his name and regain his reputation, Coleman writes a book about the events with his friend and colleague Nathan Zuckerman (Gary Sinise), who discovers a long-buried secret from Coleman's past while helping him write the book.

Zusammenfassung

Human Stain is a 2003 film directed by Robert Benton, based on Philip Roth's novel of the same name. The movie explores themes of race relations, identity, and the human capacity for reinvention through its protagonist Coleman Silk, who passes as white despite being African American. Coleman's past as a 'black' man in America is revealed to Nathan Zuckerman during their collaboration on the book, challenging Coleman's understanding of his own identity and the complex dynamics of race and prejudice.

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