Schauspielerin: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Poster für Kinatay (2009)
Rank #12825

Kinatay (2009)

Erscheinungsjahr: 2009

Land: France, Philippines

Alternative Title: Execução, Екзекуцията, Kinatay - Massacro, キナタイ マニラ・アンダーグラウンド, Butchered

Regisseur: Brillante Mendoza

Writer: Armando Lao

Produktion & Genre

Produzent: Producer: Coco Martin, Didier Costet, Ferdinand Lapuz

Firmen: Centerstage Productions, Swift Productions

Genre: Drama, Horror, Horror Film, Thriller

Budget: $800,000 (estimated)

Auszeichnungen & Ähnliche

Auszeichnungen:

  • 13 wins & 21 nominations total

Ähnliche:

  • The Damned (2006)
  • Rashomon (1950)
  • Blood Demons (2024)
  • The Poseidon Adventure (1972)
  • Dogville (2003)

Schlüsselwörter

Geschichte

Kinatay follows a young man named Peping who wants to marry his girlfriend but lacks the funds. Desperate, he takes on a job that promises $2,000. However, upon accepting the assignment, he realizes it involves killing a woman named Laida, who is beaten and left for dead by corrupt cops in Manila's grimy underbelly. Peping hesitates but ultimately fulfills his duty, filming Laida's torture and murder as evidence of her death. After completing the task, Peping attempts to lead a normal life with his girlfriend, but his actions haunt him.

Zusammenfassung

Kinatay is a grim psychological thriller focusing on police corruption in Manila. It follows Peping, a young criminology student who gets entangled in a high-stakes crime run by corrupt officers. He becomes a passive witness to the kidnapping, torture, murder, and dismemberment of a sex worker.

The Filipino-French neorealist thriller directed by Brillante Mendoza, set against Manila's urban decay. The film explores themes of corruption, poverty, and desperation, as seen through Peping's moral dilemma and eventual descent into crime. It won Mendoza the Best Director award at Cannes despite criticism for its extreme content. The movie is a stark portrayal of the Philippines' social issues, with violence and horror used to depict the country's harsh realities.

The film's violence is a central, controversial element. Rather than relying on graphic visuals, Mendoza uses a raw, documentary style, minimal light, and intense sound design. The most horrific acts happen largely off-screen or in near-darkness. This forces the viewer to use their imagination, making the psychological impact immense. The casual, routine nature of the violence committed by the officers serves as a harsh social critique of systemic moral decay and human depravity.

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