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Poster für Thelma (2017)
Rank #9378

Thelma (2017)

Erscheinungsjahr: 2017

Land: Denmark, France, Norway, Sweden

Alternative Title: Телма, La maldición de Thelma, Telma, Тельма

Regisseur: Joachim Trier

Writer: Eskil Vogt, Joachim Trier

Production Genre

Produzent: Producer: Thomas Robsahm
Co-Producer: Anne-Laure Labadie, Eva Jakobsen, Fredrik Heinig, Jean Labadie, Katrin Pors, Mattias Nohrborg, Mikkel Jersin, Stephan Apelgren, Thomas Gammeltoft, Thomas Pibarot, Tomas Eskilsson
Executive Producer: Eskil Vogt, Joachim Trier, Sigve Endresen

Firmen: B-Reel Films, Copenhagen Film Fund, Don't Look Now, Film i Väst, Filmpool Nord, Le Pacte, Memento Films International, Motlys, Snowglobe

Genre: Drama, Horror, Horror Film, Lgbt-Related Film, Mystery, Thriller

Budget: 5.700.000

Auszeichnungen & Ähnliche

Auszeichnungen:

  • 16 wins & 47 nominations total

Ähnliche:

  • White Noise (2005)
  • Mona Lisa Smile (2003)
  • Orange County (2002)
  • Sabrina (1995)
  • Miracle on 34th Street (1947)

Schlüsselwörter

Geschichte

Thelma, a devout Christian from an isolated Norwegian countryside, moves to Oslo for university against her parents' wishes. Feeling lonely and out of place, she befriends Anja, a fellow student who introduces Thelma to new experiences. As Thelma's horizons broaden, she begins experiencing extreme seizures, which are later revealed to be symptoms of unexplained psychic abilities. The more Thelma struggles with her repressed emotions and desires, the more violent her seizures become. Throughout the film, Thelma grapples with her newfound powers and their connection to her religious upbringing and emerging sexuality.

Zusammenfassung

Thelma (2017) is a Norwegian horror-drama directed by Joachim Trier. The story follows Thelma, a sheltered Biology freshman navigating university life in Oslo while dealing with unexplained seizures that eventually manifest as psychic abilities. The film explores themes of repression, religious guilt, and self-discovery, culminating in a mysterious and powerful climax.

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