Scene from Wild Orchid II: Two Shades of Blue (1991)
Scene Details
Duration: 109 sec. | Nudity: yes | Creator: erotic4u |
New Filesize: N/A | Sound: yes | Old Filesize: 8 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 352x240 | Added: 2005-May-01 |
Actresses in this Scene

Nina Siemaszko
Details
Alternate Names: Nina Siemazko, Антонина Ядвига Семашко, Нина Семашко, نینا سیماشکو
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Nina Siemaszko, born on July 14, 1970, is an American actress known for her work in film and television.
About the Movie: Wild Orchid II: Two Shades of Blue (1991)

Release Year: 1991
Nation: United States of America
Alternative Title: Wild Orchid 2, Wild Orchid 2: Blue Movie Blue, Orquídea Selvagem 2, La fleur du mal 2: Les nuits de Blue, Wilde Orchidee II, Piernas de terciopelo, Villi orkidea 2, Agria orhidea 2, Vad orchideák 2., Orchidea selvaggia 2, Blue Movie Blue, Dzika orchidea 2, Orquídea Selvagem II, Дикая орхидея 2: Два оттенка грусти, Vahsi Orkide 2, Wild Orchid 2: Blue Movie Blue
Director: Zalman King
Writer: Zalman King
Production & Genre
Awards & Similar
Awards: N/A
Similar:
Keywords
Keywords: brothel, erotic movie, prostitute
Story
The movie begins with Blue, a teenage girl living with her jazz musician father Ham. When Ham falls ill and dies, Blue is left alone to fend for herself. Elle, the headmistress of a nearby brothel, offers Blue a place to live and work at her establishment. Initially, Blue agrees but later decides she wants to leave the brothel and lead a normal life. However, Elle becomes determined not to let this happen.
Summary
Wild Orchid II: Two Shades of Blue is an erotic drama directed by Zalman King in 1992. The film centers around Blue, a young woman who enters into the world of prostitution after her father's death. It explores themes of sexual exploitation and the struggle for independence within this context. However, the plot descriptions from available sources are limited, providing only key events rather than a broader perspective on these themes or the movie's significance.